Archived posting to the Leica Users Group, 1999/12/31
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi Mike wrote >I have been using Tri X and enjoying the results.. however, one of my printers said I should try Ilford HP5 plus. Any comments or experiences?< Lovely stuff, and I prefer it to Tri-X. I'm NOT saying it's better, I just prefer its tonal gradation. If you look back you should see a post in which I pointed out that I have pretty well standardised on it for monochrome work in all formats. For Christmas this year I did a set of formal protraits of the kids using HP5 Plus and the results were fantastic, if I say so myself. The skin tones glow. Now that most of my commissions are for work in colour, it's a real joy to be able to use a mono film because I like it, and not to have to worry about some halfwit GD prattling on about graininess (which they always call grain......) Somebody else mentioned that tonal gradation is a critical parameter, which is usually forgotten because people get caught up with discussion about acutance and graininess; also, what you like in tonality is like what you like in beer- one person's delight is another's warm tasteless dishwater It's a very subjective area, but in my view a film's tonality is more important than acutance or graininess. Even conventional 400 iso films like Tri-X and HP5 Plus today are better than their medium-speed counterparts were 20 years ago, and they were an improvement on the stuff around in the 50's, as far as acutance and graininess are concerned- in other words, they're very good indeed. So now we're free to use what we like. So my advice is, try a few rolls of HP5 Plus, develop it in ID-11 or D76, 1/1 stock/water, 20deg.C., 13 mins- ish depending on how you like it cooked. You might well decide to go back to Tri-X, but I know HP5 Plus won't disappoint you. Have Fun Rod