Archived posting to the Leica Users Group, 1999/12/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 11:10 AM 19/12/99 -0000, Rod Fleming wrote: Somewhere it has been said that sharpness is not the only quality by which a lens should be judged; well, nor is graininess the only standard by which to judge a mono emulsion. ::::::: If you try to reduce the graininess, by using a fine grain developer, you loose some sharpness. If you try to get a sharper negative, with better acutance, you may find an increase in grain. Sometimes you can try for a happy medium. I used to develop for finest grain, with Perceptol 1:3 many years ago, but now I'm more interested in getting sharper images. I can accept a bit of grain on a sharp image, but I'm not quite as fond of having less grain but an image that isn't as sharp. This is my personal preference, but I think Leica glass brings out the best when images are made for maximum sharpness. They just pop out at you. John mentioned as well that he used chromogenic films, with C-41 processing. This is probably not the best choice of film to use to try to minimize "grain" (dye clouds). A silver-based film would be better. The archival character of chromogenics is also still very suspect, and definitely less long-lived than most other silver-based materials. If convenience in processing C-41 by labs is not needed, and you want to develop the film yourself, stay away from chromogenic materials in B&W to strive for the best image quality.