Archived posting to the Leica Users Group, 1999/12/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I hate to be the one to demur from the celebration of the Leica CL...well...I don't really hate to demur, but demur I must. I owned and used a CL for several years, having bought it new. The meter cell on the silly moving stalk must have fallen out on at least five occasions (they seemed to be stuck on with a primitive and brittle adhesive), on three of those occasions, the cell jammed the shutter. The shutter speed dial tends to wiggle loose and will cease to operate after the most minor ding. I don't have huge hands, but I couldn't keep my fingers out of the rangefinder windows. I really disliked the way it dangled sideways on its strap. The 40 Summicron and the f/490 were wonderful lenses and I miss them terribly, however I do not miss those idiotic collapsible rubber lens shades which provided no physical protection for the front elements. Buzz Hausner Richard, The CL isn't fully appreciated because its design is so original. Owners don't grasp its innovation because at first it appears so different from what they're accustomed to in a Leica. Imagine, having the back and camera strung together on one strap! And the camera is carried vertically. The shutter dial is out of place as tho it were more important than lens focus. The film has an internally hinged pressure plate which requires an extra step to load. The film spool has this strange clip and odd directionality. And so on. All this discourages use of the CL. But that's my very argument: to be fully understood and enjoyed the CL must be used frequently until working with it becomes second nature. Then those great negatives come back and you know what good is. Best, Bob