Archived posting to the Leica Users Group, 1999/11/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Dan, I think think follows on from my tirade against judges. There is a feeling in club or salon photography that there are quasi-mystical rights and wrongs to making a photograph 'work', or 'be right'. Providing the caveats you explained are there (and even sometimes if they're not!) the expression of an artistic nature should never succomb to almost scientific 'rules of composition'. There is a well written critique of a Rembrandt portrait, delivered in the style of a club/salon photography judge (I'm sorry I can't place it now) wherein the painting is demolished for lack of contrast, sharpness, breaking the golden rectangle/rule of thirds/'S' shaped composition etc, and lack of shadow detail! It's delightful. If photographers wish to take pictures to be admired by their peers in their enclosed photographic environment, then fine, that's all they have to worry about, following the dictates of those who have gone before.. If, however, they wish to be their own person and describe the world as they see it themselves, then they need to ignore the 'rules' and pursue their own personal vision. Jem - -----Original Message----- From: D Khong [SMTP:dkhong@pacific.net.sg] During a recent discussion with a friend who takes mainly salon style photography, he said that street photography is not artistic photography because it breaks too many rules of composition, etc. I said that as long as street photography captures the essence of life and the heartbeat of the environment, it is an artform in itself. Any comments? Dan K.