Archived posting to the Leica Users Group, 1999/10/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jim Brick was saying that a picture shot at f1.4 with a Summilux has a special look and feel that only a f1.4 lens has. He also said only someone who has owned and used a Summilux would understand it. I do not have Summiluxes for the lenses I own. I would not have been able to own 4 lenses if I had bought all with f1.4 aperture. However, I do not doubt that pictures shot at a wide f1.4 aperture has a special look and attraction to it. I am not against Summilux; I would buy one if I can afford it. What I meant was I cannot understand certain people (like my friend) who buy extra fast lenses but then always shoot 1 to 2 stops down, no matter the light intensity. My friend argued that all lenses perform best at least 2 stops down. Now, if the lens was a slow one like an Elmar (f4), 2 stops down would mean shooting a f8. At f8 it will be difficult to blur the background enough for selective focus especially in portraiture. However, if you buy a f1.4 or f2 lens two stops down would mean f2.8 and f4 respectively - still enough to blur the background effectively and at top optical performance. When I first returned to photography in late 1996 (with very little photographic knowledge) I actually believed his argument. It was only after I read the LUG digest (yes, thank you guys), exchanged knowledge with Leica using friends and later bought my Leicas, that I began to shoot more often at wide open apertures. I used to think that performance wide open is only slightly better than horrible, and afraid of getting bad pictures I never thought of shooting wide open to test his reasoning. Nowadays, I shoot wide open quite often. I mostly shoot handheld and with my RE the best I can handle without shaking is 1/60s. To compensate for not having a f1.4 aperture I use fast film like Superia 800 in low light situation. James Khor http://members.tripod.com/sattha29/index.html