Archived posting to the Leica Users Group, 1999/10/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]If you like doing travel photography you may find this interesting. If not, it will be a yawner. I will be leaving shortly for about three weeks in Europe. Each year I try to take a little less equipment. This is what I have it down to this year. M6 90f2,8 50f2 Nikon F5 28-70f2,8 80-200f2,8 105f2,8 macro Metz 32 flash and UV filters since I will be on a sailing ship for about a week. I am also taking circular polarizers for all of the lenses for haze and smog. All of the above fits into a Billingham #335 bag. The 50mm lens is mounted on the M6 and the 28-70 is mounted on the F5 so I can always grab a body and start shooting. The weight of the bag is right at 20 pounds (9.1 kg) I have developed a system for handling film which works well for me. Each film canister has a colored adhesive sticker on it with a unique number. The color corresponds to the speed of the film. Red stickers are for AGFA RSX50, green are for RSX100, Yellow stickers are for FUJI Provia 100, etc. The numbered stickers have two functions. First I carry a notebook so I can record the number of the sticker and the frame number of important shots (i.e. picture numbers 20 through 28 on roll FP176 are of Bill Clinton. The second purpose of the stick is to identify the boxes of slides after the film has been processed. I have my lab transfer the stickers from the roll of film to the box of slides (99% of the time they get it right). All of my film is in the semi transparent FUJI film containers. This means that I have to transfer all of my AGFA & KODAK film to FUJI containers. I get extra containers from my lab. The containers are also color coded with a piece of colored paper which matches the color of the sticker on the roll of film. This color coding also serves two purposes. First I know what film I am taking out of my photo vest pocket by the color or the paper inside the cantainer. Next, as I take the roll of film out of the cantainer, I discard the piece of paper and then place the exposed roll into the cantainer. That way I can tell at a glance which rolls are exposed and which aren't. This color coding system makes your life very simple when you are out shooting...especially when things are happening fast. I take 10 rolls of film for every day I will be on the ground in Europe. For low light shooting I am taking FUJI MS100/1000. Always be sure to write the speed you shot this film on the roll so your lab will know how to process it. I have also seen this film pushed to 1600. I CARRY ON all film and equipment. If the airline looses my cloths I can get more quite easily. The equipment may be a little harder and more expensive to replace so I keep that with me. When you are at the hotel, put the equipment you are not using at the time in the hotel safe. I will install new lithium batteries in all of the equipment before I leave. Oscar Barnack's first law of photography is: "Batteries tend to die at the least desireable moment". Register all of your photographic equipment and other valueable items with serial numbers with your local customs office before you leave. Lastly, always eat where the older people are eating and, exchange your money where the younger people are exchanging theirs. Regards, Bill Erfurth m6rf@yahoo.com __________________________________________________ Do You Yahoo!? Bid and sell for free at http://auctions.yahoo.com