Archived posting to the Leica Users Group, 1999/05/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]The current AF versus MF (manual focus, not medium format) discussion is based on a remarkable underlying assumption, most forcefully presented by Peter K. This assumtion seems to be that you must embrace modern technology whenever that is available and that in photographic technology the autofocus mechanism embodies modern technology to the full. The logical argument then is simple. Leica has no AF, therefore it is obsolete, as AF alternatives are available and by implication using a Leica is being anti-technology. The first fallacy is of course to equate modern high technology with AF. Or to assume that any product that could be equipped with AF but does not have it, is old technology. The second fallacy is to state that not employing the most recent technology is per definition being anti high tech. The third fallacy is to assume that AF as a technique has added value to every kind of photography and that any photographer who takes pictures without using AF is a product from the 19 th century. The fourth fallacy is to state that modern photography is adequately defined as action photography (or sports photography). Indeed a topic where AF if not a must is a most welcome supporting technique. The fifth fallacy is to assume that any 35mm camera must be useable for all kinds of picture taking and be good at it for the full 100% per specialized field. To bring some history in the debate (or better exchange of views) consider the famous Contarex. Introduced in 1959 is had a very advanced specification for its day. It lacked one item: interchangeable viewfinders. The Nikon F had interchangeable viewfinders and so everybody cried that the Contarex was not a professional camera becaues it missed an item the other camera, the paragon of a profssional camera, had. BUT; the stated goal of the Zeiss designers was not to build a clone of the Nikon F or to build a camera that competed for the same group of users. The Zeiss people had in mind a different concept of 35mm photography. They wished to produce the best built 35mm camera in the world with technical specifications to be able to compete image wise with the Hasselblad. (Another non AF camera only for anti technology idiots). Zeiss wanted to build the 35mm equivalent of a Hasselblad, technical but also thematically. The camera was excellent for the same kinds of picture taking you could do with a Hasselblad: fashion, portrait, studio, closeups, landscapes, architecture and human interest photoraphy. Now to zoom in on today. The R8 is a camera (system) that covers almost the area as the Contarex once did. The R8 is an excellent and sometimes superior image producing tool for a broad spectrum of themes (human interest, portrait, studio, fashion, architecture etc.) It is good at action photography if you master some technique (as Ted and Eric tells us) but it not the tool par excellence in this field. To assume that AF makes a camera a modern one and that non-AF makes a camera oldfashioned or obsolete is the same as saying that reading a book is an old fashioned technology because a mindmelt would be the high tech way to transfer ideas. Erwin