Archived posting to the Leica Users Group, 1999/04/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mark I enjoyed your post recommending books, and particularly your use of artists as a self-teaching aid. This struck a chord. My favourite photographer, discovered for myself only in the last six months, is a little-known Englishman, James Ravilious, son of the graphic artist Eric Ravilious, from whom the son evidently learned a great deal about composition, lighting, even texture. If you can find it in the US, try "An English Eye: The Photographs of James Ravilious" (I bet Powells' in Portland would get it for you). There's a particular quality of light, and a glimpse of the ordinary at an extraordinary moment, a richness of tonality, a simplicity in composition (like Cartier-Bresson, Ravilious prints the whole frame, indicating that everything is in place at the moment of snapping) . . . that I admire. An unpretentious eye. The book includes a short account of technical matters. Apparently Ravilious uses old lenses on an M4, avoiding high-contrast new lenses. He attaches a light yellow filter, shoots against-the-light (with well-hooded lenses), on Tri-X pulled one stop (to EI200), to reduce contrast and extend the tonal range. There's even a page of contact prints from one complete roll--which reveals the photographer's several attempts to capture a particular moment, to compose a particular scene. Very instructive. This leads me to another thought: where else can we find this in published works of photographers? Can anyone recommend any other photographers who expose (!) their methods in this way: showing a full set of contact prints, or rejected shots, for a particularly successful picture? (I dimly recall that one of the Kertesz books has similar content.) Best regards, Patrick Snook