Archived posting to the Leica Users Group, 1999/04/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Today I did a comparison of the pressure plates in several Leicas. I looked at the pressure plates in a new M6 TTL, 2 year old M6, M2, M3, M4 and SL & SL2. The M6 and TTL are identical. Both have a duller finish with circular milling marks. They seem somewhat abrasive to the touch. The older M's and the SL and SL2 pressure plates are much smoother, with a highly polished almost glasslike appearance. I'll have to look at an M4-2, M4-P and early M6 to see where this switch in finish came about. I'll also ask Stefan Daniel at Leica if this new pressure plate finish is thought to be superior to that of the older cameras. Your idea of Leica glass on a Nikon body is an interesting one. You can do this with the older Viso lenses via a special adapter with a Nikon. I do this with my 400 & 560 Televit lenses. About 13 years ago on a dealer trip to Wetzlar, I suggested Leica could assure their success by producing the then new 100/2.8 APO in Nikon mount. As Nikon didn't have anything that could touch the 100 APO (and still don't) I thought this one was a natural. You should have seen the look on the face of the Leica executives! Heresy! After they recovered their sensibilities, they explained they would lose sales of Leica cameras if they pursued this path, they couldn't make enough lenses for this market, they're not set up for such mass production, etc. I still think its not a bad idea. After all, Leica has lenses made for them by Zeiss, Schneider and Kyocera, why not the other way around? Perhaps Herr Cohn will have other ideas. To paraphrase James "The Lizard" Carville, "It's the glass, stupid." Bill Rosauer