Archived posting to the Leica Users Group, 1999/01/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Walt D wrote: >I'm always amazed when I hear otherwise fairly knowledgeable >photographers talk about films and developers....as if the >various combinations have fixed, unvarying tendencies... > >The so-called "soot and chalk" print quality is simply caused >by high values in the negative being too dense (usually above >1.25 net density or so) to print with any tone less than >paper-base white. It is not an inherent, unvariable trait of >a given film and developer...read and heed the various books >on the "zone system"....Ansel's books are good, as well as >many others. > >If your high values are too dense to print on your favorite >paper, simply reduce your development time....this will >reduce the highlight density...some increase in exposure might >be necessary to maintain required shadow detail. If the snip I've been shooting some Kodak Ortho Type 3 film (2556 in 4x5 and 6556 in 35mm) for years, and the 'soot and chalk' rendition seems easy to come by, but the 'soft gradation' pictorial results seem a lot tougher.....:-). Here is a film that will let you use your Noctilux at full aperture on a sunny beach, although the bokeh of the lens is hard to appreciate. * Henning J. Wulff /|\ Wulff Photography & Design /###\ mailto:henningw@archiphoto.com |[ ]| http://www.archiphoto.com