Archived posting to the Leica Users Group, 1998/12/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Gary, Last Saturday at the Rowell/Atkinson exhibit I talked at some length to one of the people who prepare Rowell's slides for printing. From what I can gather there are two steps before the printing process, each of which costs $ and needs to be carefully done. The first step is to scan in the slide/neg using a high-end scanner. The one Rowell and Atkinson use is owned by Bill Atkinson and made by Linotype. It has certain characteristics, including good compatability with Mac Colorsync software, which, apparently allows for the best color manipulations. Once the slide/neg has been scanned in, someone who knows what he/she is doing needs to prepare the slide/neg for printing using photoshop. Again, there needs to be good coordination between photoshop user and the printer because the printer has a certain reproduction "profile". It is my understanding that the scanning, prep, and printing steps cost from $300 on up, depending on how much manipulation is needed or wanted before a print is made. By the way, while I was impressed by the Evercolor printing process, I was struck by a number of what, to my eyes, are the limitations in Rowell's photographs. First, he uses Velvia exclusively which means he accepts heavily saturated landscapes. Not my cup of tea. I just don't think that color palette works well in large landscapes with subtle textures and colors. Second, he often takes photos that I think are best left to medium or large format photographers (or at the very least Leica users): that is, photos that beg for rich detail and extraordinary sharpness to convey texture and subtlety. And, of course, he's not using Leitz lenses. To my eyes Rowell seems to be working toward the drama and entertainment side of photography rather than toward showing us a way of seeing in and through what's there in the landscape so that I am learning to see better through his photography. Atkinson seemed technically proficient but without a clear or compelling vision. - --Gib >Date: Mon, 14 Dec 1998 07:27:24 -0500 >From: "Gary D. Whalen" <whalen@whalentennis.com> > Subject: Re: [Leica] EverColor Luminage/Red Dots in Emeryville > Can anyone tell me exactly what an Evercolor print costs? By the way I don't > believe that this is an exclusive production method. I believe that it is all > in the equipment which is available to anyone that has the $$$$.