Archived posting to the Leica Users Group, 1998/10/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Ed proposed that the reason for constructing the Contar(ex) and the Leica(flex) simply was the commercial drive to sell lenses. I would like to expand a little. If there ever on this world existed two idealistic companies that are more involved in fostering the art of photography than in the business of it by providing photographic instruments attuned to a photoraphers vision, then Zeiss and Leica must be included. The Nikon F surely was a carefully designed and almost flawlessly executed composition of the best of both worlds (Z & L). This camera-system however lacked one ingredient: passion. It still is absent in its latest incarnation: F5. The older Contax(ex), is a very nice system and I gladly acknowledge Marc's knowledge and approach to all matters relating Zeiss being superior to mine. And yes it is unfair to compare the Contarex of the 60's with an R8 from the 90's. I has not been my intention to make a direct comparison. I just wanted to extract some perennial design issues about cameras and lenses that transcend the mere technicalities and relate more to styles of photography. I have used both the older Contax and Contarex quite a lot. These cameras did not seduce me in the same way the Leica M2 did (my first one). After much reflection I noted the 'heavy' engineering as one cause. And when lately testing the Contax RTS line, I noted that even the latest Contax has this feeling of over-engineering. Utterly competent, no doubt, but I wondered then and now what kind of photography the designers had in mind when they started sketching on the drawing board. As an aside I may mention that I was an avid biker (yes BMW boxers of course). And I prouded myself on my driving style. An American magazine described this style: european bikers are travelling with dedicated and utmost precison through dense traffic as a hot knive slices through butter. This description holds well for a Leica photographer. Leica photography cuts off slices of the time/space continuum with the same dedication and precision. I doubt if it is appropriate for a photographer with Zeiss equipment: as an analogy: they travel with the serene supremacy of a Rolls Royce owner. Erwin