Archived posting to the Leica Users Group, 1998/10/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]For me, the M6 is the ultimate existing light camera. And, like Ted Grant, I'm attracted by the qualities of light hitting the subject, all of which is lost when using a flash. It depends on what you're shooting, really. What's more important to the intended viewer, beautiful light or the content? In news reportage, the content is usually what matters unless you happen to work for a publication that values the beauty of light. Mostly, though, they just want a good, clear, sharp contrasty photo of whatever the subject is. Unfortunately, that often means flash. I don't understand the attraction of the M6TTL either. If you're shooting on assignment, it's foolish not to have some sort of SLR handy with an 80-200 at least. On assignment, if I intend to shoot primarily with the M6s, I always carry an R6.2 or an EOS1n with a couple of zooms. If I want to do fill-flash, those are the cameras to use. I can see the value of an M camera with TTL capability, but only if it has a synch speed of 1/200 or better. And since that would mean a metal shutter, then let's have an electronic one like the Contax G cameras. Would this have tremendous value for me on assignment? Probably not, because no matter how you slice it, you've still got to have that SLR around which will have TTL flash capability. Jim Laurel Business Development Manager Microsoft Digital Television jplaurel@microsoft.com (425) 703-1143 http://www.microsoft.com/dtv