Archived posting to the Leica Users Group, 1998/09/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]B. D. Colen wrote: > ...<CUT>... > When ever I used the 90 2.8 to photograph my wife or any of her friends > they'd hate what I'd get because they could see every charcter line or flaw > on their faces. With the 90 f2 they complain, but not as much. (;o{ )#x B.D. (sorry, cannot figure out your first name), I use the 90 2.8 mainly fo that application (casual portraits), an it works great, especially on kids and young women (example on http://ourworld.compuserve.com/homepages/AlanBall/aicha.htm ). It is true it brings the character out of a face and does not allow any cheating. But I do love the bokeh of that lens, which is an important factor for portraits, and I find the 'roundness" of the backgrounds counterbalances the 'sharpness' of the focused point. For some situations (new born with mum), I mellow it down just a little with a Nikon Soft nr 1. The effect is very subtle. And is repeatable (which might not be the case with crushed cellophane). I can see no need for the new 90mm asph-apo f2 for my usage: it seems to me it implies the HM body for reliable focusing wide open at portrait distances, and I would finally only gain 1 stop at very great financial cost. Better of with a s/h 85mm f1.4 from virtually any SLR maker for those low light situations or even with a Summilux. I have not seen any independent benchmarks for that new lens, but I would be very surprised if it did better than the Elmarit from f2.8 on. Friendly regards Alan.