Archived posting to the Leica Users Group, 1998/09/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thib, Obviously you'll get many different recommendations on development of TMZ at 3200. I'll give you two. For quite a while I used Tmax 1+4 at 80 degrees, 6 minutes with minimal agitation to hold down contrast. I have now switched to Ilford Microphen stock at 75 degrees for 9 minutes with standard Ilford agitation. I find I get good shadow detail and no blocking in the highlights. I can easily get another stop by extending development just a bit longer, say to 10 minutes. I shoot a lot of this for night sports and am pleased with the results I get with Microphen. I find the negatives print effortlessly with my difusion enlargers, Focomat V35 or Aristo cold-light head on a DII. I got thin negatives with Xtol, but obviously others get results they like with this new formula. I'll have to do more testing with it. The important thing is to do a lot of experimenting and find what gives you pleasing and reliable results. And be consistent. On the temperature issue, warmer developer reduces development time; minimizing developing time is one way to hold down grain. Also, Erwin Puts mentioned he found the nominal rating of TMZ at 800 to 1000. I believe this is consistent with the Kodak literature, though I haven't read it lately. The 3200 rating is of course a two-stop push. TMZ's relatively flat characteristics at nominal speed are consistent with a film designed for pushing. I find it truly a wonderful film. We're lucky to have it. Bill Welch At 10:08 AM 9/4/98 +0200, you wrote: >Hello luggers, > >I would like to get the best results with the TMZ at EI3200. >Do you have some kind of magic recipe? >I usually use TMax developper (1+4) but the results are not consistent. >Are there any tricks I'm missing? >Thanks for your help. >Thib. > > >