Archived posting to the Leica Users Group, 1998/06/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Unless you are going to do a lot of dupes, I probably would follow Ted's recommendation and have a good lab do the work. I do thousands of dupes for slide presentations each year using a Durst ChromaPro and Fuji CDUII dupe film. That's basically about a $1000 machine not including a lens. Add to that $40 for a 100 ft. roll of dupe film plus developing and mounting and numerous tests to get the color balance and exposure right . So IMHO, it's a pretty expensive proposition for 50 or a 100 slides especially if your results are only equal or worse. You can get Beselar unit like Tina's or a Bowen's unit as well but I I'd recommend one with dichroic filters for color correction. To complicate matters, CDU II dupe is really sensitive to processing and chemistry variations, much more so than normal slide film. You may be rather frustrated by the results when in reality, the problem could very well be caused by your lab. I do all of processing in-house with a JOBO. When duping slides you need to know that dupe film reacts with color balance changes based upon exposure and sometimes subject matter and it takes experience to know how much to correct. Once you know how to do it though, you can rescue and improve many slides, especially those taken by amateurs. There are some films (like Seattle film works) that require huge amounts of corrections to duplicate. (I charge extra for those) Some labs will not correct for exposure or color balance so you might want to find one that does. You can make dupes with your camera set up using a piece of diffusion material behind the slide by 4 inches or so and regular film, but........ you gain a lot of usually unwanted contrast, especially with Leica glass. It might be fun to try..... but I wouldn't get your hopes up too much and I wouldn't invest much currency in it.. Duane Birkey HCJB World Radio Quito Ecuador