Archived posting to the Leica Users Group, 1998/06/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Donal Philby <donalphilby@earthlink.net> wrote: >Last Saturday I saw a print from a slide that absolutely knocked me >out. It was shot on 35mm (Nikon) EPP (not noted for sharpness). It was >16 x 20. There was detail on the print that you couldn't see on the >slide with a good lupe. Looked like is was made from a 4x5. >It was done by the new laser scan method where film is scanned and then >image laser burned onto regular R-type paper. Absoluteably repeatable, >contrast can be controlled easily, detail you can't imagine. About $50 >and worth every penny. Comparable in sharpness to Evercolor prints, but >not as archival. The lab where I get my slides processed (Boston Photo Lab) now uses exclusively this method for producing prints from slides. Just recently I had occasion to try it out with a portrait of my Siamese cat that just happened to be the last photo I have of him before he suddenly died. It was an indoor available-light exposure, overall contrast relatively low, Kodak Elite II 100 film, f/2 at 1/30 second with a "brand N" 105mm f/2 lens. A tripod was used. I had a 6 X 9 inch print made, on 8 X 10 paper, They scanned the original at 250 dpi of output, that is the slide was digitized to 1500 X 2250 pixels. It was printed on Kodak professional color paper. The print looks nice enough at first view, but upon careful comparison it cannot stand up to the slide. With a 20X triplet lens, I could clearly see film grain on the slide. On the print, no grain was visible at any magnification. There was, however, an overall loss of definition. Eye details were less distinct and eyelashes were slightly blurred. The white whiskers against the deep blue background were most obviously afffected. They seemed thinner, lacking the substance of the original. Examining them carefully on the print, I could see the rows of imaged dots, and have satisfied myself that the loss of quality is due to the pixelization. Each pixel area can be only a single color, so in areas of high contrast, colors can bleed across the width of a pixel. As this photo has high sentimental value to me, I am going to try to get the best possible print, without regard for $$$. I am having a spare-no-expense Ilfochrome print made of the same slide, and should have comparative results shortly. Stay tuned. - -- Pieter Bras pieter@world.std.com