Archived posting to the Leica Users Group, 1998/06/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]- -----Original Message----- From: LEICAMAN56@aol.com <LEICAMAN56@aol.com> >There were no M4-2's made with the cast zinc top plate. All M4-2's had black >chrome plated brass top plates and a very few were chrome. The transition to >cast zinc came with the late M4-P. Zinc is much stronger and resistent to >dents than brass. It does not allow the fine detailing that the M3 had on its >top plate and it is probably cheaper than brass. So is this why late M4-Ps and M6es have flush windows and other revised details; that the changes were mandated by the new materials? If so, interesting, and if zinc is stronger, it would also seem a good argument that, despite the relative lack of details, the new parts represent a functional improvement over the old! But in the case of the M4-2, what prompted Leitz to begin engraving serial numbers onto the hot shoe, and to stamp markings into the top cover--simple cost-cutting measure? >The hot shoe had to be changed to accomodate the hot shoe - not to cheapen it. > Didn't mean to sound like I was grumbling about the changes, but merely wanted to suggest that there were a lot of them, and wondered what the cumulative effect must've been on the M4-2's image at the time. On the other hand, I recall seeing lots of Japanese RF cameras in the '70s, ranging from the Canonet QL17 and 28 (and 110ED!), various Minoltas--even Vivitar, Kodak and others had 'em. It must've been a challenge for Leica to sell yet another mechanical RF camera at this time, and that ELECTRONIC cameras seemed to be "in" to the extent that Leica and others engraved the word onto their camera bodies. I know the first serious camera that I lusted after was not some classic mechanical device with match needles or no meter at all, but rather, the Minolta XD11; the first multimode camera aimed at the terminally indecisive :-) For what it's worth, I never did get one, but years later, when I finally got to handle one, I didn't like it much. Popular or not, I have never found a pretty clean $600 M4-2, though have found M3s in this price range, sometimes even late SS ones with okay RFs and no dents. >We owe a debt of gratitude to Midland, because without them there would no >longer be an M camera from Leica. Wetzlar was ready to drop the M after the >M5 fiasco and Midland continued the line until the M6 came out. What exactly was Wetzlar building during this time?