Archived posting to the Leica Users Group, 1998/05/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I suspect that there is a vast pool of expertise out there in LUG-land that is untapped, and I'm hoping to tap it. One of the things I've been using Leica M equipment for is theater photography. More specifically, I've been (with the help of a couple of friends) providing photographs for the student productions at the school my daughter attends - we make photographs of the production (and the production staff) during one or two dress rehearsals, and then go home, process all the film, edit the photographs down to a selection, and I print 11x14's (image size of 9x13.5 or so), give them to the folks at the school, and they hang them in the lobby before the performance. Last time I gave them fourteen prints. We've been using TMax 3200-P (TMZ) which I've been rating at 800. After a bit of fiddling, we seem to have exposure and contrast under control. For the last show, we ended up exposing about twelve rolls of 36 exposures. I can run the film 8 rolls at a time in my Jobo, so processing the film is a snap. My biggest difficulty is editing the selection down from the hundreds of frames that we expose down to the dozen images I print and give the school. The first time, I had about twenty rolls of film, and edited the negatives on a light box. After that, I finally got around to contact printing them all and concluded that I should have contact proofed them before editing. I cranked out 8x10 prints of the promising images, sorted through those, and selected half a dozen images that I printed 11x14, then delivered the whole pile. Printing was a monumental task. I had a couple of days to print, so this worked out ok, but it was clearly not optimal, since after contact printing, I realized that in some cases I had missed some really nice images. Ok, I chalked that up as a learning experience. Last time, I contact proofed all 12 rolls, and we edited from the contact prints. The turnaround time in this case was much shorter (shoot on Wed, deliver prints on Friday). Still it took a bit of time. Could some of the folk out there who regularly edit large quantities of images give me some tips? And, of course, I'm open to tips/pointers on theater photography in general. If someone wants a brain dump of what I've learned so far, you need only ask. - -Paul