Archived posting to the Leica Users Group, 1998/04/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]The URL for Silverfast is http://www.lasersoft.de/ I had an LS-20, then an LS-1000, then a Polaroid 35 Plus, and I found that each new model improved on quality significantly. If you want a bit more shadow detail, you need the LS-1000. If you want the most shadow detail possible from a desktop slide scanner, get the Polaroid 35 PLUS. At 08:56 AM 4/15/98 -0400, Stephen Kobrin wrote: >I have a Nikon Coolscan II which I have used for two months or so, >primarily for B&W, but also for a reasonable number of slides. While I >obviously cannot compare across other models, it had a reasonably shallow >learning curve and produces very nice results with one exception that has >been discussed at length on the LUG. I have not been able to deal well >with very high contrast slides, especially when there are large areas of >deep shadow. Even with manipulation in Photoshop, I find I face the choice >of either lost shadows or some banding if I bring them up. I have only >seen that happen once with a B&W negative, and that was a shot through the >gateway of a castle to a brightly lit street. The negative was still >"printable" with some limited shadow detail, but only very limited. > >On the other hand, the Coolscan II was under $800 for the internal model >which is well under some of the more powerful scanners. It works very well >for most slides, most of the time. The constraint is clearly my >inexperience rather than my equipment. (The internal model was $100 less >than the external model and assuming you do not want to move between >computer, more convenient if space is a constaint. It was not all that >difficult to install, especially on a tower model.) > >Several months ago I asked about digital processing of B&W on the LUG and >thanks to the encouragement of Tina and others went ahead. While my >computer is clearly not a chemical darkroom, the results far exceed any >expectations I had going in. Duotones, tritones and quadtones are not >difficult to produce if you are willing to spend just a little time playing >with curves and the results are very pleasing, at least to me -- and I am >the only one who looks at my prints. (My wife is always positive!) In >fact, I do very little color as I find the B&W prints much more fun to >produce and see more advantages to digital processing than with color. >Again, that may reflect my own biases and experience. > >One question. Several of you have mentioned third party software for the >Coolscan. Mine came only with the Nikon software. What do you gain for >your money?? As I recall, someone posted a URL for Silverfast a while >back; could someone repost as I do not have it. > >Steve > Francesco Sanfilippo, Five Senses Productions webmaster@5senses.com http://www.5senses.com/