Archived posting to the Leica Users Group, 1998/04/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tina writes: |Bill, |I'd love to know what you think! My skin is not as tough as Eric's so = be |gentle. I welcome contructive criticism.... =20 | Sure, I'll be happy to critique the photos on your web page. However, = please keep in mind that I am not a professional art/photography critic. = First, I am looking at photos in order to teach what little I know = within my small community of family. You have to have a photograph to = begin with to do that. I find that the LUG members are all reasonably = competent photographers and appreciate their pages on the web. First, I should comment that I like the way your web pages are put = together. They are thematic just as your photographs are. So your = first two web pages are great examples of how to put a cohesive thematic = series of photos together. (We are also learning hypertext, java, and = java script). Second, your framing tends to be very tight. There is little wasted = area. From the size of your reproduction offerings (for sale), I assume = that this is done at the time the picture is taken rather than excessive = cropping in the darkroom. When the framing looks too tight at first, = (ears cut off) we have the opportunity to discuss why this was done and = would the pix be better or worse with a full head pix. When you spread = out and show more area (for example the pix of people saying grace) we = can throw up a couple of L's and see how it would look cropped and = discuss why it should or should not be cropped. The whole point is that = regradless of what the subject is, the techniques used can be applied to = any other subject (people, cats, dogs, architecture). Fill the frame = with what you want to communicate. I did a lot of photography with a = 18x24 mm camera ("single frame or half frame" depending on how you want = to use the terminology). If you didn't fill the frame initially, your = chances of getting any decent enlargement were nil. Third, I like your use of black and white and contrast. This is the = most difficult subject to communicate to people that grew up with color = television. I liked (I think it was Ted's) the comment that black and = white displays character while color displays clothing. It presents an = interesting and discussable topic when clothing is a symbol of status = and culture. Fourth I like the way you push your lenses to their limits. I still = choke on this. I was trained to alway stop down one or two stops from = the maximum aperture of the lens. I am consciously trying to use my = lenses wide open if it is at all appropriate (i.e. can get by without = the additional depth of field). I have to keep in my mind that it is = inherently permissible to shoot wide open. In summary, I find your three net pages a great teaching tool. The nice = thing about evaluating other people photos from within a family group is = that there is no necessity to publicly state an opinion about your (or = Erics, or anyone else's) pictures. The point is to try to make our own = better and to learn a lot of things in so doing. Regards, Bill Larsen ohlen@lightspeed.net |______________________________________________________________________ If you have not yet looked at Tina's work, here is her footer: |Tina Manley, ASMP |<http://www.photogs.com/manley/index.html> |<http://www.aperture-photo.com/site/reportage/manley/manleyframeset.html= > |<http://www.onlineartistleague.com/manleyt/portfoli.htm> |