Archived posting to the Leica Users Group, 1997/11/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]First, sorry to hear about Alfreds broken arm; I hope it didn't have a Leica at the end of it when it happened! My wishes for a speedy recovery. Now, more to the point; I have read with interest the discussion about the use of English on this group, and here we have a discussion about 'bokeh', apparently a Japanese concept and word, and Marc using the word 'yclept', which if I remember from Chaucer and Sir John Maundeville, is a Middle English word. My fear is not that somebody will use bad English, but that the discussion will rise to such a level that I won't be able to figure out what any of it means! I am just a simple Good Ole North Carolina Boy.... Cheers, Dan ;) - -----Original Message----- From: Alfred Breull <puma@hannover.sgh-net.de> To: leica-users@mejac.palo-alto.ca.us <leica-users@mejac.palo-alto.ca.us> Date: Sunday, 23 November, 1997 2:25 PM Subject: Re: Erwin Puts on 'bokeh' >Erwin, > >can you, please, add some more details. Your statement is completely >opposite to Marc's from some weeks ago. I have added Marc's statement >below, just for information. > >Alf > >-----------------------------Statement 1/ Puts --------------------------- >At 11:09 23.11.1997 +0100, Erwin Puts wrote: >>Well that story is pure myth. I talked at length with Zeiss and Leica >>optical designers and they all were quite definite. No such thing. > >-----------------------------Statement 2/ Small--------------------------- >Marc James Small wrote: > >Thema: Re: L versus M >Datum: 02.09.1997 18:48:31 >From: msmall@roanoke.infi.net (Marc James Small) >Sender: owner-leica-users@mejac.palo-alto.ca.us >Reply-to: leica-users@mejac.palo-alto.ca.us >To: leica-users@mejac.palo-alto.ca.us > ><sigh> Once again, the 'bokeh' debates. Without getting that grand >re-addition to our group, Mr Welch, fired up -- and, gads, sir, but it is >GRAND to have you back where you belong! -- let me point out the following, >with the understanding that it is not universally accepted. > >First, I DO have a scad of Canon gear -- and EOS 10s at the nonce with some >great lenses and I've had a slew of FD stuff over the years. So I know the >breed. Canon lenses are superb. No question. But the optical analysis >ought to run a tad deeper. > >Leica didn't have the funds in the 1920's and 1930's to design lenses which >would blow the doors off of Zeiss and Voigtlander products -- they were, >after all, the 'new kids' on the block, a small microscope works which had >moved only lately into photography. Their lens designer, yclept Max Berek, >used a trick to make Leica lenses 'seem' to perform better than they >actually do, by emphasizing out-of-focus softness. Thus, the in-focus >portion of the image pops out at the viewer, producing the 'Leica glow', as >Gianni Rogliatti calls it. > >This was seen as a cheap trick by the larger houses, but it built a >foundation for the magical effect of Leica lenses. And it also explains >why older designs do not test well, but produce images which stand out from >those of other houses. > >This changed following Berek's death in the early 1950's. Certainly, Leica >lenses produced today test competitively and, in many cases, blow the >competition away. But such was not always the case -- and the Leica 'glow' >of 1930 has become the 'bokeh' of today. > >Marc > > >msmall@roanoke.infi.net FAX: +540/343-7315 >Cha robh bas fir gun ghras fir! > >