Archived posting to the Leica Users Group, 1997/10/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Some time ago, actually years ago, I tried the 280/4,8 and the 200/4 as large format lenses. Using an old Speed Graphic and a lens mount consisting mostly of gaffers tape and cardboard the result come out as follows. The 200/4 lenshead ( if you use the mount it makes it difficult to focus) covers 6x9 cm with some movement and the 280/4,8 covers 4" by 5" with very little movement allowed. Quality of neg with both lenses was excellent. The 280 is supposedly an off spring of a US Navy aerial lens design. I also tried it on my Sinar, making a mount from 4 ply board and again gaffer taping it on ( do NOT get sticky stuff on the threads, it really makes it difficult to put the lenshead back in the mount!!!). Using the old " 1 mississipi, 2 mississipi etc" it worked very well, particularly in close up. The original Hektor is supposed to cover 6x9 cm too as is the Elmar 135. I know of adaptations of 135 Hektors and 280's to Hasselblad mounts and I have seen the result, very impressive. At the other end of the spectrum, there is a Leica Macro Cinegon 10mm/1,8 lens that was used on the Leicina 8 mm camera. This lens has a M-mount on it and and will give you a 22mm round fisheye image on 35 film. Very sharp and it will close focus to 8" ( does not couple to the rangefinder, use a tape measure). Beware of the fact that it will close down to total blackout ( fade in/ fade out on moviecameras) so watch your f-stops. Beyond f22 you can get REALLY thin negs!.This is the fun part of shooting with Leicas, when in doubt improvise and enjoy. The Macro Cinegon shows up at swap meets with some frequency at prices between $100 to $300, it has some practical application for close up of insides of machinery and could be used for architectural model shoots too. Imagine what a mess you could create with the 6-66mm Optivaron zoom on a M!! I haven't tried that one yet, but if I ever find the lens I will, Tom A