Archived posting to the Leica Users Group, 1997/10/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>While it is nice to have a unique quality about the lens, the vignetting is >still of concern as it is not always possible to compose in a way to suit >the lens. >A 50 Summilux is about a stop slower and, given todays faster film >emulsions and the ability to push process if necessary, would'nt that >actually make using a 50 summilux wide open more logical? I do not think >the 50 Summilux has a reputation of 3 stops in light falloff. Don't forget the 35 ASPH summilux!