Archived posting to the Leica Users Group, 1997/09/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Charles Dunlap wrote, on the issue of XP2's susceptibility to scratches: > sounds like it went through the standard 1 hour processing machine. The > fine scratches are do to inevitable dust on the rollers (most labs don't > operate their 1 hr machines in a class 100 clean room). The emulsion isn't > any softer than any other.... Well, I'm not so sure. Yes, roller transport processing is tough on any film and should be avoided at all cost. Always seek dip-and-dunk labs. But my experience with XP2 suggested that indeed it is more easily scratched than other films. That and an inherent flatness kept me away from becoming a regular user. It seemed to pick up a lot of scratches in my Focomat. But, I will say I got some beautiful tonality from it, and I have a friend who shoots nothing but for commercial B&W. I've tried the new Kodak chromogenic film, and I agree it's a different beast. It has great potential. Like other new chromogenic films, downrating the ISO (overexposing) causes the dye clouds to be larger and overlap, creating the appearance of finer grain. I can see how it could become Ted's, or anyone's, standard for B&W, though I still like the look, feel, grain structure and manipulative qualities of traditional silver emulsions like Tri-X, HP5+, etc., in my Leicas. Bill