Archived posting to the Leica Users Group, 1997/08/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In American Photo, pg 45 of this issue, there is a photo of the hands of HCBs printer, George Fevre, holding the neg of "Behind the Gare-St Lazare, Paris" on a light table. This is a well-known photo, showing a silhouette of a man jumping off a ladder laid horizontally in a pool of water. The man's heel is just about to hit the water, and the reflection of the man is symmetrically apparent underneath. What struck me as peculiar is that there are no sprocket holes on the top edge of the film. It seems to have sprocket holes only on the bottom edge of the film, and looks like it is labeled as frame "39". It looks like a full frame horizontally, with about eight sprocket holes and a little bit per frame, but the top edge is either missing sprocket holes, or perhaps they have been trimmed off. Also, it appears as if the left portion of the negative (what would have been the left side of the photo) is badly missing detail, as if there is some kind of technical problem in the neg of this photo, since the missing detail goes straight down the negative, in more-or-less a straight line. There also appears to be some kind of oblong shaped irregularity near the bottom left edge of the neg, and the top left edge, when viewed as seen on the light table. The right edge of the neg also shows other technical problems, which look like they may be due to improper development, showing spots which could be air bells, and dark regions around the sprocket holes, possibly due to excessive agitation. So many technical problems for such a famous photo! I don't know who did his lab work at the time the photo was processed. Does anyone know the history of this, or what is going on with the missing sprocket holes and the complete loss of image detail on the left side of the neg, as well as the other apparent technical problems that appear? - -GH