Archived posting to the Leica Users Group, 1997/05/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]From: Jim Brick <jim@brick.org> Date: Sun, 04 May 1997 22:40:11 -0700 As they state, quite clearly in the article, Bokeh CANNOT be measured. It's subjective. It's more like an emotion. It's discussed in Japanese lens reviews. It's revered by Japanese photographers. There are many types of Bokeh, two-line, ring, circular, long and narrow, point...etc... etc. You can also have too much Bokeh. Bokeh is something in tune with the Japanese culture. People not brought up in a Japanese culture may never be able to fully understand or feel Bokeh. We may try, but I believe it's somewhat futile. The fact that we want to measure it and analyze it states clearly that we don't understand it. Perhaps it can be learned if we get rid of our analytical mind set. Of the western cultures, perhaps the French have the best chance of understanding/feeling Bokeh... IMHO. Jim, do you really believe this hooey, or are you just kind of having fun with us here? - -Patrick P.S. Whenever I hear about how the Japanese are different from the West in having a tradition of aesthetics, I am reminded of an article I once read by a New York Times correspondent who lived for many years in Japan. He told how he had remarked to a Japanese colleague at the Asahi Shimbun that one of the most salient differences between television programming in the West and Japan was that the Japanese television stations seemed to spend a much greater amount of time and money in reporting the weather. His Japanese colleague explained that this was because Japan once had an agrarian economy, and therefore had a stronger preoccupation with the weather. The New York Times correspondent then pointed out that pretty much all the countries in the world had once had agrarian economies, which left his colleague from the Asahi Shimbun somewhat nonplused.