Archived posting to the Leica Users Group, 1996/06/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Several people hve been posting about the relative merits of the Mamiya M7, the various Fuji medium-format raangefinder cameras, and our own Leica M6. First thought that occurs to me is this: why did Leica let Mamiya get away with calling its camera the M7? Won't this make life difficult for Leica when they want to replace the M6? Second, although I am tempted by the notion of a medium-format camera I have tried the M7 and found it to have a major flaw: the metering is separate to the viewing and taking systems. Thus it does not alter its angle of view according to the lens used: with the 43mm fisheye it is a virtual spotmeter, with the 150m telephoto (and, it is rumoured, longer lenses to follow shortly) it actually meters some of the surroundings as well. To my mind this is acceptable if you have only one lens (ideally the 65mm) but makes a mockery of the automation when a range of lenses are used. Also, I have used various MF cameras in the past and been disappointed by lens quality at large apertures - some, including a Mamiya C330 I once owned, lose illumination in the corners; others are just unsharp. Perhaps it's just too large a film area to cover without fall-off. Seems to me, if you want the ultimate in grain-free results 120 will always have the edge but if you prefer sharpness, 35mm may still be tops. Myself, I like a nice tight grain structure, provided the image is crisp and the tonality is right.