[Leica] The third film is developed

Peter Dzwig pdzwig at summaventures.com
Mon Feb 28 04:37:57 PST 2022


Hi Lluis,


Great shots!

I very much like "The Bar", At first look I wished that the barman were 
in focus, but then when I looked again I changed my mind. Classic Lluis! 
I really like the way that the combination of lens, film and developing 
  has yielded the detail and gradations in the B&W.

I was also intrigued by the level of detail and variation in tonality in 
Carrer. It's not something that I expected of the Nocti. Evidently I was 
wrong!

All the best,

Peter

On 26/02/2022 21:50, Lluis Ripoll via LUG wrote:
> I have already developed my third film, here is my selection
> 
> 
> Mannequin
> <http://gallery.leica-users.org/v/luisrq/Miscellaneous/2022F010101+1.jpg.html>
> Leica MP, Noctilux 50 1:0, Kodak Tri-X, D-23 1:1
> 
> Abacus
> <http://gallery.leica-users.org/v/luisrq/Miscellaneous/2022F010102.jpg.html>
> Leica MP, Noctilux 50 1:0, Kodak Tri-X, D-23 1:1
> 
> La Rambla in a Winter morning
> <http://gallery.leica-users.org/v/luisrq/La+Rambla/2022F010111+_1_.jpg.html>
> Leica MP, Summilux 35 pre-asph, Kodak Tri-X, D-23 1:1
> 
> Plaça Reial
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F010113.jpg.html>
> Leica MP, Noctilux 50 1:0, Kodak Tri-X, D-23 1:1
> 
> Winter hot Sun
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F010117+_1_.jpg.html>
> Leica MP, Noctilux 50 1:0, Kodak Tri-X, D-23 1:1
> 
> Carrer de les Heures
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F010120.jpg.html>
> Leica MP, Noctilux 50 1:0, Kodak Tri-X, D-23 1:1
> 
> A Man with a Hat
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F010130.jpg.html>
> Leica MP, Noctilux 50 1:0, Kodak Tri-X, D-23 1:1
> 
> Bar in a Billiard Club
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F010133+_1_.jpg.html>
> Leica MP, Noctilux 50 1:0, Kodak Tri-X, D-23 1:1
> 
> Thanks for looking, your c&c are welcome
> 
> Saludos cordiales
> Lluis
> 
> _______________________________________________
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-- 

Dr. Peter Dzwig


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