[Leica] Opinions Wanted: Sharp or Fuzzy?
Philippe
philippe.amard at sfr.fr
Tue Dec 16 04:08:02 PST 2014
Le 16 déc. 2014 à 13:00, Doug Herr <wildlightphoto at earthlink.net> a écrit :
> if working in color I also prefer correct color balance and exposure. If your vision leans toward the less sharp I suggest striving to leave out modern cars and bicycles. Fuzzy along with modern conveyances seems like an artificial gimmick to me.
>
Same here - I tried some vignetting on one of the blurries to hide the Japanese cars, which helped a little but is no match to reshooting without them or the dark patch in the lower corner of one of the sharpies …
I also tried to address the verticals and barrel.
Hope this may help
Amities
Philippe
>
> Doug Herr
> Birdman of Sacramento
> http://www.wildlightphoto.com
> http://doug-herr.fineartamerica.com
>
>
> -----Original Message-----
>> From: Richard Man <richard at richardmanphoto.com>
>> Sent: Dec 16, 2014 2:14 AM
>> To: Leica Users Group <lug at leica-users.org>
>> Subject: [Leica] Opinions Wanted: Sharp or Fuzzy?
>>
>> I am starting to do a series on "Old Buildings that have not been Torn Down
>> Yet" (*may be slightly tongue in cheek*) Anyway, I am considering whether
>> to use one of those old style fuzzy-lens to get certain effect and feelings
>> across. Attached are 2 pics from the fuzzy-lens and 2 from normal 4x5 lens.
>> The Stanford Theater shows up on both set so can serve as nice comparison.
>>
>> What are you opinions? Which "style" speak to you more? I know the "correct
>> answer" is which one *I* prefer, but like to hear others' opinions. Thanks.
>>
>> SHARP!
>>
>> http://richardmanphoto.com/PICS/20141205-Scanned-645.jpg
>>
>> http://richardmanphoto.com/PICS/20141215-Scanned-654.jpg
>>
>> FUZZY
>>
>> http://richardmanphoto.com/PICS/20141215-Scanned-652.jpg
>>
>> http://richardmanphoto.com/PICS/20141215-Scanned-653.jpg
>>
>> --
>> // richard <http://www.richardmanphoto.com>
>> // http://facebook.com/richardmanphoto
>> // https://www.facebook.com/Transformations.CosplayPortraits
>>
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