[Leica] Learning the SL

[mark at rabinergroup.com (Mark Rabiner)]

It?s a thrill to be doing black and white nowadays will all the information 
ready for you when you ?process? (now called ?edit?) the image. (also now 
called ?post process?.)
When you?re doing the conversion, you get to play with the color filtration 
so there is proper separation between the grays and you get tone in the sky 
and the right density in the foliage. 
Beats shooting every shot you do with every filter you own.
For long time black and white worker this is like going to heaven without 
having to die first.


-- 

Mark William Rabiner
Photographer

On 6/5/17, 3:54 PM, "LUG on behalf of Robert Adler" 
<lug-bounces+mark=rabinergroup.com at leica-users.org on behalf of rgacpa at 
gmail.com> wrote:

    Hi Bob,
    No... I'm using Capture 1 for the initial raw conversion to BW, CC for
    small adjustments, and DxO Film Pack to choose different film types and
    make some global adjustments. With these images I did not use CC or DxO:
    they came straight out of C1. But it was color when imported from the
    camera.
    Best,
    Bob
    
    
    Bob Adler
    www.robertadlerphotography.com
    *"Capturing Light One Frame At A Time"*
    
    On Sun, Jun 4, 2017 at 8:21 PM, Robert Baron <robertbaron1 at gmail.com> 
wrote:
    
    > Very nice indeed.
    >
    > Do you mean to say the BW conversions are done in/by the camera?
    >
    > --Bob
    >
    > On Sun, Jun 4, 2017 at 9:59 PM, Robert Adler <rgacpa at gmail.com> 
wrote:
    >
    > > It's been a steep learning curve on how to access easily all the
    > functions
    > > on the SL (I mean, whoever heard of "floating ISO"??
    > > Noticed a bunch of old classics and street cars lining a block close 
to
    > > home. I do like the look the camera and glass produce and also the BW
    > > conversion:
    > > http://www.robertadlerphotography.com/p265775242
    > > C&C appreciated,
    > > Bob
    > >
    > > Bob Adler
    > > www.robertadlerphotography.com
    > > *"Capturing Light One Frame At A Time"*
    > >
    > >
    > >
    >
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