Archived posting to the Leica Users Group, 2015/11/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Much of what you write here is just not true. First: The no-plumpbing minilabs came out long before digital, and were not an attempt to ?sell more machines before it was too late.? I know, I worked in a one-hour lab back then, and we used such machines. Long before digital cameras, long before digital minicabs like the Fuji Frontier. Second: Black and white film developing and darkroom printing have most certainly NOT been banished from public schools in the USA. I?m a public school teacher in the largest public school district in Indiana. All five of our academic high schools have photography classes using black and white film where students develop film by hand and make prints in the darkroom, by hand. The classes are quite popular, too. We also teach digital photo/Photoshop/digital printing as well. Processing machinery went ?to the bottom of the landfill? because people stopped shooting film and started shooting digital. This had nothing to do with fear of chemicals. -- Chris Crawford Fine Art Photography Fort Wayne, Indiana 260-437-8990 http://www.chriscrawfordphoto.com My portfolio http://www.facebook.com/pages/Christopher-Crawford/48229272798 Become a fan on Facebook On 11/26/15, 5:03 PM, "LUG on behalf of Bill Pearce" <lug-bounces+chris=chriscrawfordphoto.com at leica-users.org on behalf of billcpearce at cox.net> wrote: >Exactly what I poorly expressed a few days ago. At the end of the film >era, >minilabs were made that could be installed in any commercial space, >garage, >doghouse, etc. without regard to plumbing. Chemicals were mixed, and wash >tanks filled with tap water and it was off to the races. Everything, >washwater included, was used for a certain number of rolls, a number >arrived >at by chemical and minilab suppliers and manufacturers as the amount of >film >that could be processed in a fixed amount of chemistry and successfully >printed the same day, and the images would remain for a week or so. The >drugstore chains were happy, they didn't need to include a special space >in >their stores with plumbing, the manufacturers were happy, they sold a few >more machines before it was too late. > >Ironically, the end of this was to be not digital but crazy people. At >the >same time that black and white chemistry was deemed far far too dnagerous >for wnyone to use withough a moon suit and therefore was banished from >public schools, the poorly educated workers were terrified of using the >dangerous chemicals in color processing. I know, I know, those of us that >worked in labs or studios with lots of that stuff were smart enough to >not >breath in too much of the dust or bathe in bleach. But gone they are, >probably in the bottom of a landfill. > >-----Original Message----- >From: Ken Carney >Sent: Thursday, November 26, 2015 3:01 PM >To: Leica Users Group >Subject: Re: [Leica] XP-2 > >Not sure, but I have read that the longevity issue is due to improper >washing, perhaps not an issue with a pro lab? Best of luck - I admire >your dedication. > >Ken > >On 11/26/2015 11:28 AM, Bryk Oliver wrote: >> I thank everyone who commented on this topic, including the >>audiophiles. >> As usual there is no lack of opinions on the LUG. >> >> The XP-2 will be processed by Lightwaves www.lighwavesimaging.com , >>one >> of the few remaining pro labs in San Francisco. >> >> Oliver >> >> _______________________________________________ >> Leica Users Group. >> See http://leica-users.org/mailman/listinfo/lug for more information > > >_______________________________________________ >Leica Users Group. >See http://leica-users.org/mailman/listinfo/lug for more information > > >_______________________________________________ >Leica Users Group. >See http://leica-users.org/mailman/listinfo/lug for more information