Archived posting to the Leica Users Group, 2015/05/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Exactly! Why dumb down data that is there with the exact same camera (M240)? Why throw any data away?? 14bit depth is the benchmark for best quality final print images. Yes you compress files to get to a print, but if you compress from real data rather than using real data, it certainly will be a greater degradation: a guess of a guess rather than a guess. Not exactly what I want to spend $8k on. I'll wait until the next model of the color body that hopefully will change how they have implemented live view. That's my biggest nit with the M240.(longer exposure time would be nice too...) My last image at ISO 3200 with the M240 is pretty satisfying to me: http://gallery.leica-users.org/v/rgacpa_HI/Bedtime+Story-2015-04-25.jpg.html Certainly was never able to get film to look this good at 3200. On Tue, May 5, 2015 at 10:20 AM, Jayanand Govindaraj <jayanand at gmail.com> wrote: > The only point I will make is that you can see the difference in colour > gradation between 12 bit and 14 bit colour on close inspection, the latter > is smoother, as is to be expected. Whether it makes a whole lot of > difference, when you do not have large prints side by side to compare > carefully, is dependent on the individual. I normally shoot in 14 bit on my > Nikon D800E, but I change to 12 bit colour when I plan to use continuous > mode, as the buffer clears up a lot faster! > Cheers > Jayanand > > On Tue, May 5, 2015 at 10:35 PM, Robert Adler <rgacpa at gmail.com> wrote: > > > Perhaps that's what's meant by the Jono's statement that the elves in the > > Leica Labs "see" no difference... > > Not a very scientific approach as stated. > > Thanks Jayanand. > > > > On Tue, May 5, 2015 at 9:50 AM, Jayanand Govindaraj <jayanand at > > gmail.com> > > wrote: > > > > > 12 bit = 2 raised to the power of 12 = 4096 shades of gray > > > > > > 14 bit = 2 raised to the power of 14 = 16384 shades of gray > > > > > > Quite a bit of tonal difference technically. Whether the human eye can > > > perceive it in a meaningful way in a print - who knows? > > > > > > Cheers > > > Jayanand > > > > > > > > > > > > On Tue, May 5, 2015 at 9:53 PM, Steve Barbour <steve.barbour at > > > gmail.com > > > > > wrote: > > > > > > > > > > > > On May 5, 2015, at 9:21 AM, Robert Adler <rgacpa at gmail.com> > > > > > wrote: > > > > > > > > > > I'm waiting to see what the explanation is. Going backwards in bit > > > depth > > > > > from the M(240) is perplexing. Perhaps their chip cannot handle > 14bit > > > > depth > > > > > of pure gray as opposed to 4 different 14bit depth channels of RGGB > > > > (4x1x4 > > > > > vs 4x4 all at once...). > > > > > > > > > > But I'm no EE, so I'm hoping other experts will jump in to explain > > what > > > > is > > > > > lost by going back to 12bit files. > > > > > > > > OR what is gained by going back to 12 bit files. > > > > > > > > > > > > s > > > > > > > > > > > > > > > > > > On Tue, May 5, 2015 at 9:16 AM, Jim Nichols < > jhnichols at lighttube.net > > > > > > > wrote: > > > > > > > > > >> It opened for me with no problem. > > > > >> > > > > >> Jim Nichols > > > > >> Tullahoma, TN USA > > > > >> > > > > >> > > > > >> On 5/5/2015 10:58 AM, Tina Manley wrote: > > > > >> > > > > >>> This webpage is not available > > > > >>> > > > > >>> Tina > > > > >>> > > > > >>> On Tue, May 5, 2015 at 11:32 AM, Robert Adler <rgacpa at > > > > >>> gmail.com> > > > > wrote: > > > > >>> > > > > >>> See post #46 by Jono Slack: > > > > >>>> > > > > >>>> > > > > >>>> > > > > > > > > > > http://www.getdpi.com/forum/leica/54592-new-monochrom-fine-report.html#post639690 > > > > >>>> > > > > >>>> Curiouser and curiouser... > > > > >>>> > > > > >>>> -- > > > > >>>> Bob Adler > > > > >>>> www.robertadlerphotography.com > > > > >>>> > > > > >>>> _______________________________________________ > > > > >>>> Leica Users Group. > > > > >>>> See http://leica-users.org/mailman/listinfo/lug for more > > > information > > > > >>>> > > > > >>>> > > > > >>>> _______________________________________________ > > > > >>> Leica Users Group. > > > > >>> See http://leica-users.org/mailman/listinfo/lug for more > > information > > > > >>> > > > > >>> > > > > >> > > > > >> _______________________________________________ > > > > >> Leica Users Group. > > > > >> See http://leica-users.org/mailman/listinfo/lug for more > > information > > > > >> > > > > > > > > > > > > > > > > > > > > -- > > > > > Bob Adler > > > > > www.robertadlerphotography.com > > > > > > > > > > _______________________________________________ > > > > > Leica Users Group. > > > > > See http://leica-users.org/mailman/listinfo/lug for more > information > > > > > > > > > > > > _______________________________________________ > > > > Leica Users Group. > > > > See http://leica-users.org/mailman/listinfo/lug for more information > > > > > > > > > > _______________________________________________ > > > Leica Users Group. > > > See http://leica-users.org/mailman/listinfo/lug for more information > > > > > > > > > > > -- > > Bob Adler > > www.robertadlerphotography.com > > > > _______________________________________________ > > Leica Users Group. > > See http://leica-users.org/mailman/listinfo/lug for more information > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > -- Bob Adler www.robertadlerphotography.com