Archived posting to the Leica Users Group, 2014/12/09

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Subject: [Leica] Sally Mann and her lens
From: boulanger.croissant at gmail.com (Peter Klein)
Date: Tue, 9 Dec 2014 01:29:52 -0800
References: <CAF8hL-FwVKne0oazxe9QkfpU-22Pc_QuRi4hGL87a9TBX+_6+A@mail.gmail.com> <77381F72-B3A9-4A0B-8A4F-42756D6F8769@frozenlight.eu> <D0AC0D4C.513D8%chris@chriscrawfordphoto.com>

I use the NON-FLE 35 Asph.  That's usually sufficiently decrepit for me.
If that is too good, I can go back to 1946 with a Summitar, or c. 1930 via
1962 with a Jupiter-8.
--Peter

On Mon, Dec 8, 2014 at 11:22 PM, Chris Crawford <
chris at chriscrawfordphoto.com> wrote:

> When I was in college, my photography professor always told us, tongue in
> cheek, ?If you can?t make it good, make it big!?
>
> --
> Chris Crawford
> Fine Art Photography
> Fort Wayne, Indiana
> 260-437-8990
>
> http://www.chriscrawfordphoto.com  My portfolio
>
> http://www.facebook.com/pages/Christopher-Crawford/48229272798
> Become a fan on Facebook
>
>
>
> On 12/9/14, 12:06 AM, "Nathan Wajsman" <photo at frozenlight.eu> wrote:
>
> >And the resulting garbage is printed HUGE and hung in art galleries.
> >
> >On 9 Dec 2014, at 04:09, Richard Man <richard at richardmanphoto.com> 
> >wrote:
> >
> >> A commentary on our obsession with FLE ASPH ED OIS lens?
> >>
> >> ***********
> >> I certainly could go out and buy a good, tack-sharp lens that would take
> >> the perfect picture, that's in focus from end to end. But instead, I
> >>spend
> >> an awful lot of time at that antique mall, looking around for these
> >>lenses
> >> with just the right amount of decrepitude. The glue has to be peeling
> >>off
> >> of the lens elements; it's great if it's mildewed and out of whack. A
> >>lens
> >> is made up of several different pieces of glass, which are supposed to
> >>stay
> >> glued in the right relationship with each other. But my most prized lens
> >> has one of the pieces of glass askew, so when the light comes in it,
> >>it's
> >> refulgent. It just bounces all around and does this great sort of
> >> luminescent thing on the glass. You can tell a good ruined lens, right
> >>from
> >> the get-go: they are the ones you find in the trash cans of old photo
> >> studios, in some ghost town in Iowa. I mean, that's the kind of lens I'm
> >> looking for.
> >>
> >>
> >> --
> >> // richard <http://www.richardmanphoto.com>
> >> // http://facebook.com/richardmanphoto
> >> // https://www.facebook.com/Transformations.CosplayPortraits
> >>
> >> _______________________________________________
> >> Leica Users Group.
> >> See http://leica-users.org/mailman/listinfo/lug for more information
> >>
> >
> >Nathan Wajsman
> >Alicante, Spain
> >http://www.frozenlight.eu
> >http://www.greatpix.eu
> >
> >Books: http://www.blurb.com/bookstore/search?search=wajsman&x=0&y=0
> >PICTURE OF THE WEEK: http://www.fotocycle.dk/paws
> >Image licensing: http://www.alamy.com/search-results.asp?qt=wajsman
> >Blog: http://www.nathansmusings.eu/
> >
> >
> >
> >
> >_______________________________________________
> >Leica Users Group.
> >See http://leica-users.org/mailman/listinfo/lug for more information
>
>
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information
>


Replies: Reply from richard at richardmanphoto.com (Richard Man) ([Leica] Sally Mann and her lens)
In reply to: Message from richard at richardmanphoto.com (Richard Man) ([Leica] Sally Mann and her lens)
Message from photo at frozenlight.eu (Nathan Wajsman) ([Leica] Sally Mann and her lens)
Message from chris at chriscrawfordphoto.com (Chris Crawford) ([Leica] Sally Mann and her lens)