Archived posting to the Leica Users Group, 2014/09/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I think its great to get some depth of field. Both the cello and piano behind sharp. That's what I'd have gone for. Had I focused on the cellist and gotten the pianist in swirling field of wonderful bokeh I'd have not showed it to anybody I think. Blur from camera movement I try to avoid. Blur from missing my focus I try real hard to avoid. (I stop down one or two, or three whenever I possibly can) But blur from subject moment with everything else being sharp I think is an assent instead of a liability. Its a good thing. Makes the shot more real somehow. A couple of my shots along these lines...: http://tinyurl.com/mw2rne2 http://tinyurl.com/q6hnjgf On 9/29/14 4:45 AM, "Peter A. Klein" <pklein at threshinc.com> wrote: > I usually use the fastest shutter speed I can in concert shots. But for > a few, I went down to 1/10 second, and tried to convey the motion of the > bow and fingers. This is risky, because sometimes the head moves, and > you've got nothing. Here are the two I like best. > > <https://www.flickr.com/photos/24844563 at N04/15202595369/> > <https://www.flickr.com/photos/24844563 at N04/15202835587/> > > --Peter > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information -- Mark William Rabiner Photographer http://gallery.leica-users.org/v/lugalrabs/