Archived posting to the Leica Users Group, 2014/08/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I like the concluding paragraph a lot: "Something we've been missing also becomes evident here. The whole world is now filled with incredible images--especially on Instagram and other social networks--that owe something to Winogrand's, documenting life, change, and all the rest. Yet the art world and museums are not. Instead they tend to show oversize, very still pictures or images that investigate formal properties and ideas of display and presentation. I love many of those pictures, but what's happening online on social media deserves far more serious scrutiny than it's getting. If the art world doesn't admit more of this sort of deceptively casual-seeming work, the outside world will reject more so-called art photography than it already does. That's a divide that we don't need to reestablish and widen." The Art Photography circa 2014 leave me cold. On Sun, Aug 10, 2014 at 11:00 AM, Robert Baron <robertbaron1 at gmail.com> wrote: > > http://www.vulture.com/2014/08/art-review-garry-winogrand-retrospective.html > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > -- // richard <http://www.richardmanphoto.com> // http://facebook.com/richardmanphoto