Archived posting to the Leica Users Group, 2012/03/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]The booze and the fact that he was not printing every day. Nor every week. But probably more like every month or so. And ES had issues. -- Mark R. http://gallery.leica-users.org/v/lugalrabs/winterdays/ > From: Tarek Charara <tcharara at mac.com> > Reply-To: Leica Users Group <lug at leica-users.org> > Date: Thu, 08 Mar 2012 10:19:19 +0100 > To: Leica Users Group <lug at leica-users.org> > Subject: Re: [Leica] Magnum & the Dying Art of Darkroom Printing > > Oh? Some printers are (were) very famous! Jean-Yves Br?gand (Jean-Loup > Sieff), > Philippe Sala?n (Doisneau), Georges Fevre (Koudelka, Bresson)? and of > course > Fresson. <http://www.atelier-fresson.com/home.htm> Fresson is a bit special > because he does Carbon prints. > As to the 2 days in the darkroom for the ONE print? I have always wondered > if > the booze had anything to do with it? :) > > All the best from Paris! > > Tarek > > ------------------------------------------------- > Tarek Charara > <http://www.tarekcharara.com> > > NO ARCHIVE > > > > > Le 8 mars 2012 ? 10:03, Richard Man a ?crit : > >> I have read that a master printer like Voja Mitrovic, "..world renowned >> master printer who has been a long time printer for Henri Cartier-Bresson, >> Josef Koudelka, Rene Burri, Peter Turnley, and many others" can spot how >> best to print a negative visually and in a short time, so they don't spend >> hours trying to get a master print - well, at least good enough for us >> mortals anyway. I also read that Gene Smith would often go into a darkroom >> with a pack of printing paper and a bottle of something and 2 days later, >> came out with a single print... > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information