Archived posting to the Leica Users Group, 2012/01/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> It may depend on how much training your eyes have had in color work. I have had a lot of practice, but am just hopeless at it. I periodically look at a set of Ishihara tests http://en.wikipedia.org/wiki/Ishihara_color_test but I am not colour blind. > With 40 years of press proofing in 5,000K light tents and on 5,000K light > boxes; > I feel fairly confident in my eyes; though age may remove that confidence > of youth. I absolutely do not doubt that, but I am hopeless. > I've had three professional monitors complete with their system pucks and > software. > I found them only slightly better than a visual calibration. > It was very difficult to get them adjusted for room conditions. > They were very sensitive to extraneous light. The systems I use are totally shielded from extraneous light. The best ones have a sensor that faces each way so it adjusts the screen according to the colour of the room light (problematic when you have a component of daylight, but if you can control the light in your room, it works well). > These were tube monitors so things may have improved in the flat screen > calibration systems. I think these systems have got better in a general sense, rather than in association with a change in dominant monitor technology. And to anyone who lacks experience or who finds using the built-in calibration systems (i.e. in the Apple OS) problematic, I'd strongly encourage them to get a good calibration device. With your experience George, well, I would only say 'carry on'. Marty