Archived posting to the Leica Users Group, 2011/11/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks for the info, Tina. When I travel to the US, which I do once in a while, I buy the film I'm using at the local photo dealer's and always send the unexposed film back home either with a worldwide carrier (UPS, Fedex) or the official postal system, I've never had any problem so far - they say there's no scan for such items. I've tried - once only - to have my films processed locally to avoid the X-ray exposure but the result was so terrible I've definitely given it up. I guess I must have knocked at the wrong door but my impression is that photo dealers today do not process the amount of film that would guarantee a fairly good professional result. The chemistry seemed outdated - due to a lack of business in the field of film processing? Though this was considered as THE local specialist for the "ancient" way of picture taking - he had vintage Leicas for sale!Jean-Michel> Date: Tue, 15 Nov 2011 18:01:47 -0500 > From: images at comporium.net > To: lug at leica-users.org > Subject: Re: [Leica] OT: lens shutters suck > > Some examples here, too, if you scroll down: > > http://www.kodak.com/global/en/service/tib/tib5201.shtml > > Tina > > On Tue, Nov 15, 2011 at 5:48 PM, <afirkin at afirkin.com> wrote: > > > > > Then I started the Kenyan films: I was very excited about these. African > > panoramas. The first one I printed (after processing all 6 rolls and > > contact printing) had strange densities that I had 'tried' to ignore on > > the contact sheet, hoping it was the plastic I used to hold hte film flat > > BUT no. The next shot (almost identical) was also 'scarred'. I > > immediately > > blamed my processing: did I agitate enough? BUT the more I looked at them > > the less I was convinced. This 35mm film is of course in small metal > > containers, they were 'bunched' together in the handluggage and there is > > a > > potential weak point where the felt stops light, but not X rays, so this > > could explain why the patterns were somewhat irregular: I really don't > > think my processing would have scarred across the film like this: the 120 > > rolls did not have the same pattern, so once again I think the entire > > project was ruined by radiation. Helen asked me if I could 'rescue' any > > and I said "maybe, if I scanned them and 'patched' them up in PS" but in > > the end why have film and digitize it when you can use digital capture in > > the first place. > > > > So if this is true then you cannot carry film when you travel by air, and > > this is my major interest in photography. If I cannot use film on my > > travels I will soon lose any skills I have. > > > > I rang a friend last week before come to the USA and he just said: "you > > should think about getting one of those new digital camera things". I > > will > > enjoy the darkroom workshop, but there is a sword hanging over the > > darkroom and the thread holding it is very thin!! > > > > Perhaps I need to GROW UP ;-) > > > > That became longer than I expected, but kept me awake!!! > > > > Alastair > > > > > > _______________________________________________ > > Leica Users Group. > > See http://leica-users.org/mailman/listinfo/lug for more information > > > > > > > -- > Tina Manley, ASMP > www.tinamanley.com > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information