Archived posting to the Leica Users Group, 2010/12/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tina writes: "You are right, Peter. I was there telling you not to give your photos away for nothing. How do you know it had no commercial value? I sell photos every day that would be considered throwaway home happy snaps. If you give them away for nothing, you will never know if you could have sold them and you diminish the value of all photography by giving your creative work away.. Credit is worth demanding but only if it is accompanied by actual money!! I'll get off my soapbox now, but I hope no one ever gives their photos away for only a credit :-(" Tina, I fully agree with your position but you are not describing the world as it is. It is harder to make a decent living as an independent professional photographer than it is as an actor or even a poet. Considering the number of professional quality cameras out there, only the tiniest fraction deliver pictures that are ever published. Given the quality standards imposed by stock agencies, vanishingly few P&S pictures will ever make the grade regardless of merit unless of a particularly newsworthy event. I serve as an art critic for several newspapers in the art rich northeast and visit dozens of art and photography shows annually. Far fewer than 10% of the artworks and photos exhibited sell. Those that do depict a narrow range of subjects, usually locally defined. Animals, children and nostalgia sell. Marine scenes sell along the Atlantic coast, western and frontier scenes in Texas, and faux Hudson River art in the Hudson Valley. But few portraits, or historical event pictures. Bright colors sell, muted grays don't. And forget about B&W unless your last name is Adams or Weston. To sell artworks, you must forget about your internal muse and conform to the desires of your audience. The virtue of a site like the LUG is that there are no jurors who filter the content. Many of the pictures are truly excellent but would be hard pressed to find a commercial outlet. But on the LUG they don't have to. So if a photographer is offered an opportunity to have his/her pictures published in a national forum, grab at the chance. Even if there is no payment. It may be the only way to get recognition in an overcrowded field. Isn't that why we produce the LUG yearbook? Perhaps it is harder to make a living as a poet than as a photographer. But not much. Larry Z