Archived posting to the Leica Users Group, 2010/05/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Certainly the best work will come from using the same camera supports used with any other video or movie camera: tripods with fluid heads, dolly and track, cranes, steadi-cams, glidecams, etc. along with after market follow focus controls, full audio upgrades, etc. All of which make the cameras the least expensive piece of the kit. The great plus of the full 35 mm frame digital video lies with the lenses which, for the first time, put the "look" of 35 mm movies in the hands of videographers. This has been the holly grail search for decades. Regards, George Lottermoser george at imagist.com http://www.imagist.com http://www.imagist.com/blog http://www.linkedin.com/in/imagist On May 26, 2010, at 9:46 AM, Robert D. Baron wrote: > I'm curious: were they using tripods or monopods or some way of > stabilizing the cameras? I'm guessing that's almost mandatory in > shooting video with these cameras and lenses, but I don't know that > for a fact. > > --Bob > > ==On Tue, May 25, 2010 at 11:15 PM, Pasvorn Boonmark > <pasvorn at boonmark.net> wrote: > >> Bob, >> >> I went to a company meeting a couple of weeks ago. >> There were 3 "videographers" at the meeting "documenting" the event. >> They were using Nikons to take movie. It was interesting. >> > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information