Archived posting to the Leica Users Group, 2010/05/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]There is far more occurring within photography in the Southwest and Southern California than the Getty knows how to acknowledge. The Getty has never had a clear commitment in addressing the local photographic culture to this day. This coming exhibit, and its accompanying catalog, is no exception. On Fri, May 21, 2010 at 9:16 PM, Robert Browne <rbrowne1 at mindspring.com>wrote: > For those in the LA area during June 29?November 14, 2010 this Getty Museum > exhibit sounds interesting: > > Engaged Observers: Documentary Photography since the Sixties > > June 29?November 14, 2010 > > In the decades following World War II, an independently minded and > critically engaged form of photography began to gather momentum. Since then > a host of photographers have combined their skills as reporters and > artists, > developing extended photographic essays that delve deeply into humanistic > topics and present distinct personal visions of the world. Embracing the > gray areas between objectivity and subjectivity, information and > interpretation, journalism and art, they have created powerful visual > reports that transcend the realm of traditional photojournalism. Engaged > Observers: Documentary Photography since the Sixties looks in-depth at > projects by photographers who have contributed to the development of this > approach, including Leonard Freed, Lauren Greenfield, Philip Jones > Griffiths, Mary Ellen Mark, Susan Meiselas, James Nachtwey, Sebasti?o > Salgado, W. Eugene and Aileen M. Smith, and Larry Towell. > > More museum info at: http://www.getty.edu/ > > - Robert > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information >