Archived posting to the Leica Users Group, 2010/04/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> I had read the New Yorker review earlier and and discussed it with an > artist > friend. I like Schjeldahl and read him regularly but I was a little put > off > by the dismissive tone of the criticism here. I also love Robert Frank but > I don't think his is the only attitude that counts. HCB was a formal > analyst and organizer, like Poussin and Cezanne before him, and this gave > him that sense of Apollonian detachment that Schjeldahl finds off-putting. > I like it, myself, so to each his own. I also wish Schjeldahl had given > more attention to HCB's early years as a surrealist -- probably his best > work, and the work that brought him first recognition when Julien Levy > showed his works alongside artists like Dali and Ernst. > > BTW, I liked Vince's characterization of Frank as a "beat poet with a > camera." > > > Phil Swango > 307 Aliso Dr SE > Albuquerque, NM 87108 > 505-262-4085 > I'd love to see HCB's early years as a surrealist anywhere. [Rabs] Mark William Rabiner