Archived posting to the Leica Users Group, 2010/04/14

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Subject: [Leica] IMG: Printing Workshop
From: pdzwig at summaventures.com (Peter Dzwig)
Date: Wed, 14 Apr 2010 17:43:28 +0100
References: <523683.99826.qm@web82105.mail.mud.yahoo.com> <92CF8C93-C796-4790-827F-75A0546D1C66@frozenlight.eu> <4BC596B7.3080303@summaventures.com> <135883.22880.qm@web82106.mail.mud.yahoo.com>

Bob,

thanks.

Don't forget to show us the results of your rework!

Peter

Bob Adler wrote:
> Well said Peter. I tend to agree. Not sure why I cropped in the first 
> place, but I'll be going back to work on the uncropped to see how it works 
> out.
> And another point well made was the difference between print and web. 
> Obviously the color spaces are very different for each with the web having 
> far less "gamut" than a print (assuming sRGB for the web and ProPhoto for 
> a print). I think this translates into the shadow detail being lost in 
> many areas of a print-to-web transition (especially in the reds and 
> greens). So the web version of a print may indeed look lighter.
> All that said, I appreciate your comments very much and look forward to 
> more of them in the future.
> Best,
> Bob
>  Bob Adler
> Palo Alto, CA
> http://www.rgaphoto.com
> 
> 
> 
> 
> ________________________________
> From: Peter Dzwig <pdzwig at summaventures.com>
> To: Leica Users Group <lug at leica-users.org>
> Sent: Wed, April 14, 2010 3:19:35 AM
> Subject: Re: [Leica] IMG: Printing Workshop
> 
> Bob,
> 
> IMHO of course - and printing is very subjective **and** I am somebody who 
> can't
> even satisfy himself, so...
> 
> I thing that of the first pair, the original has greater depth and feeling 
> of
> perspective; the second has the depth washed out and ios - to my eyes - too
> bright. Obviously I don't kinow your process but it looks like the 
> contrast in
> the background, particularly in the top right quadrant, has been reduced 
> too
> much and the rocks in centre field are too bright partly I guress as a 
> result of
> your process. I wouldn't have cropped it to the extent that you have. I 
> would
> have left more all round. The smallness of the tree to the left actually 
> adds to
> the sense of scale and lends graneur and majesty to the scene. By the same 
> token
> the size of the fishermen in the original emphasises their insignificance 
> in the
> scheme of things.
> 
> The second one is much better IMHO particularly in the effect that you have
> generated in the sky. However I think that you have dullened (is that a 
> word?)
> the picture too much in doing whatever process you have. I think the 
> foreground
> stones need to have the warmth of the original yellows restored a bit.
> 
> The thing is that every printer has his own style and tenor to his prints,
> particularly if he took the shots himself. Preparing for screen and real 
> live
> printing are again two very different forms. The really good printers on 
> the LUG
> will I am sure re-inforce that it is so much trial and error, even if you 
> know
> the inks and the paper! So if you are happy with them that's great.
> 
> Hope that that helps a bit.
> 
> Peter
> 
> Nathan Wajsman wrote:
>> Hi Bob,
>>
>> Sorry to say, but I find the pre-workshop image better in the case of the 
>> first pair, although in the second pair the "after" version looks better.
>>
>> All IMO of course :-)
>>
>> Cheers,
>> Nathan
>>
>> Nathan Wajsman
>> Alicante, Spain
>> http://www.frozenlight.eu
>> http://www.greatpix.eu
>> http://www.nathanfoto.com
>>
>> Books: http://www.blurb.com/bookstore/search?search=wajsman&x=0&y=0
>> PICTURE OF THE WEEK: http://www.fotocycle.dk/paws
>> Blog: http://www.fotocycle.dk/blog
>>
>>
>>
>>
>>
>>
>> On Apr 12, 2010, at 6:56 AM, Bob Adler wrote:
>>
>>> Just finished a weekend (Fri 9am - 9pm; Sat. 9am - 9pm; Sun. 8:30am - 
>>> 5pm) workshop put on by a very fine local photographer (Charles Cramer). 
>>> 8 participants learned some finer points of Photoshop and were able to 
>>> work on and print what we worked on, taking home 2 large prints and many 
>>> medium and small prints.
>>>
>>> I ended up working on three images for the weekend, two of which I'm 
>>> good with. Here are the before and after web versions:
>>> http://www.rgaphoto.com/BeforeAfter
>>>
>>> The third image needs some more fine tuning. 
>>> Though it may not be readily apparent in the web shots, the prints are 
>>> markedly improved. The CS4 techniques were great to learn, but even 
>>> better were the interactions with other participants and Charles.
>>>
>>> If you've not seen Charles Cramer's lovely work, you can see web 
>>> versions on his website:
>>> http://www.charlescramer.com
>>> His co-instructor for the workshop was Rex Naden:
>>> http://www.rexnaden.com
>>> Not to shabby...
>>>
>>> If you ever get the chance to see his prints, I strongly recommend them 
>>> to you. They are truly luminous. If you ever get to join him in a 
>>> workshop you won't regret it. 
>>> C&C always appreciated.
>>> Bob
>>> Bob Adler
>>> Palo Alto, CA
>>> http://www.rgaphoto.com
>>>
>>>
>>>
>>>
>>>
>>> _______________________________________________
>>> Leica Users Group.
>>> See http://leica-users.org/mailman/listinfo/lug for more information
>>>
>>
>> _______________________________________________
>> Leica Users Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
>>
> 

-- 

===========================================================
Dr Peter Dzwig                          




In reply to: Message from rgacpa at yahoo.com (Bob Adler) ([Leica] IMG: Printing Workshop)
Message from photo at frozenlight.eu (Nathan Wajsman) ([Leica] IMG: Printing Workshop)
Message from pdzwig at summaventures.com (Peter Dzwig) ([Leica] IMG: Printing Workshop)
Message from rgacpa at yahoo.com (Bob Adler) ([Leica] IMG: Printing Workshop)