Archived posting to the Leica Users Group, 2010/01/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Richard, The "W. Eugene Smith Photographs 1934-1975" about which you ask is the most comprehensive book I know of, large and heavy and very well printed (I'd rate it 'coffee table ++' in the KEH rating system...). Abrams is the publisher; the two guys who put it together are Gilles Morra and someone else whose name escapes me now, but you'll find it. You'll have to buy it used as it's out of print. Meanwhile, Dream Street, which you have, is a book one could get lost in for years, trying to come to grips with Smith's vision. He was hired to take a dozen pictures and stay a week. He stayed over two years and no one to speak of ever bought any of the photos. I think it's his best work. The Jazz Loft Project is fascinating; it's the excuse for the Harper's piece. He would sit in the windows of the loft for hours and hours and even sometimes days, playing speed against alcohol and taking pictures of the street -- one every twenty minutes or every hour even: just one shot. The results are amazing. The stuff of the musicians is also great. Plus he wired the whole building for sound and made four thousand hours of tape. The book has some representative transcripts. Finally, there's a book called "Let Truth Be the Prejudice" that has a very well written (though in a few spots factually imperfect) 'illustrated bio' to accompany the very good selection of pictures, as well as a few other really good essays. Salgado, I think, is the closest thing we have now to Smith, but Salgado is manifestly saner and much, much, much better funded. He has a large vision obviously, but Smith had an almost miraculous ability to get right up into reality's face, inches away, regardless of the conditions. Salgado is daring and brave, but Smith was suicidal. VP