Archived posting to the Leica Users Group, 2010/01/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]George, You didn't miss that much -- an amusing Welshman discovers that Gene Smith took a lot of pictures there for Life Mag when sent to cover the elections of 1950, in which Henry Luce of Time Life had some emotional stake in seeing Labour lose (they didn't). Smith went and photographed the miners. The documentarian calls the pictures "lost" because Life only published three of them, but off he trundled to the Center for Creative Photography at Tucson and finds the boxes in the Gene Smith archive marked Britain 1950, and indeed there it all was where it was supposed to have been, so it's not clear why they're "lost". There are also twenty pages of these photos in the Abrams book W Eugene Smith Photographs 1934-1975, and other pages in other catalogues that followed major exhibitions. People who know Smith's work well know all about these pictures. Anyway the best part of the wee documentary by the roly-poly Welshman is when he digs up the last surviving member of the trio of miners whose blackened faces, set against the hills of South Wales, formed one of Smith's iconic images. This fellow jovially explained how Smith encountered them on the way home from work and asked if he could shoot their picture: then told them where to stand and where to look. Much about how Britain was faring in 1950; not much enlightening at all about Smith. For example, it would have been typical that Life didn't publish what Smith wanted them to in the way he wanted them to; that's why he eventually quit the place, leading to his artistic freedom (Pittsburgh project, Jazz Loft project, and Minimata) but also his financial ruin. If there are other Smith fans out there, I have an essay coming out in Harper's magazine later this year on him; when it's available I'll post it on the LUG. Vince P