Archived posting to the Leica Users Group, 2009/06/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]This is coming across like "oh my I ran my film in real old E6 and it came out bad maybe I should rent or buy a digital back for tens of thousands of bucks instead like my friend here did?" - not a viable comparison. For the wonders of capture against film use. The vast majority of serious film photography in color has always been done with a good Pro Lab. Most photographers were long aware that maintaining color chemistry does not pay on any number of levels. There are bound to be lulls when you're less on top of your chemistry. You drop your film off in the drop box at the pro lab on the way back from the park. Pick it up in the morning or two hours later. Then Show us your scanned results from that film along side of Jims captures and of course at that size a few hundred pixels across we'll still know nothing. But we'll be able to go "great shots Bob and Jim!" As we'd have a general idea of your compositional powers. Color balance. And. Of course. Sharpening. Mark William Rabiner