Archived posting to the Leica Users Group, 2009/03/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Folks - After looking at George Lottermoser's wildlife shot on his blog I figured I'd post a couple of Humans from last week. In contrast to the birds, I don't feel like color is particularly necessary for determining gender: Guy - http://www.pbase.com/bobsworld/image/110451982 Girl - http://www.pbase.com/bobsworld/image/110451983 (Feel free to deliver comments, admonishments or jocular banter as needed.) Both shot with my daily M6 - 50 'Lux - Tmax 400 in Xtol rig. Used to be pretty happy with this setup, but there seems to be an issue that I can no longer ignore. I threw these up a few days ago and noticed that the "Girl" shot gets twice as many views as the "Guy" shot. Must be the 50 (late spherical) 'lux's Lemon Bokeh, which is all over the "Guy" shot. First of all, I'd like to know what causes this. Is it a comatic effect, an image of the aperture off-axis or something else? I guess it doesn't really matter too much, 'cuz it's clearly Here to Stay with this lens design. I hesitate to bring up a topic such as this, but I'm really interested in hearing some opinions on Fast Fiftys for M's. I basically like almost everything about my late-spherical 50 version. These aspects include close focussing to 0.7m, terrific ergonomics on the very-lightly-damped rings (with the fast-racking helical on the focus ring I can beat most autofocus setups in dim light.) I wanna know if there's a 1.4 (or 1.5) 50 that can keep up with most of these qualities (as well as high contrast and low flare wide open plus acceptable focus shift ). The Nocti's are out due to weight and cost. The versions of the Leica aspherical I've tried had much stiffer focussing (and I probably can't afford one of those either.) So I guess it's all about Zeiss (new or old), Voigtlander and Canon or Nikon LTM's. But if I can't find something else I may well become a member of the Bokeh-After-the Fact club. Bob Palmieri