Archived posting to the Leica Users Group, 2008/07/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]again- hopefully this will push 22 and 39 MP backs into a more affordable* range soon. Eric *depends on what you mean by affordable. But $32,000 isn't ! On 7/16/08, Vick Ko <vick.ko@sympatico.ca> wrote: > 50 Meg Kodak sensor - maybe this is what's happening behind the doors at > Solms: > > http://www.technologyreview.com/Infotech/21088/?nlid=1211 > > > Pushing Pixels > > Kodak's latest sensor enables digital cameras to enter the 50-megapixel > range. > > By Duncan Graham-Rowe > > Last week, Kodak launched the first ever 50-megapixel camera sensor. While > such high resolution goes beyond the needs of most consumers, for > professional photographers the new sensor will enable photographs to be > taken at an unprecedented level of detail. > > For example, in a picture taken of a field one-and-a-half miles across, the > sensor would make it possible for a viewer to detect an object measuring > just one foot across. > > This sort of resolution is only really essential for and targeted at > high-end professional photography, in which high-quality images often need > to be blown up large. But it could also be useful for some other > applications, such as aerial photography as used for services like Google > Earth. "The ability to have more pixels lets the plane fly higher, so you > don't need as many pictures," says Mike DeLuca > <http://michaeldeluca.pluggedin.kodak.com/>, marketing > manager for Kodak > <http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=2/6868&pq-locale=en_GB&_requestid=6900>'s > Image Sensor Solutions, based in Rochester, NY. > > The sensor, which produces an array of 8,176-by-6,132 pixels, further > closes > the gap between traditional film and digital photography. "We're really > close to how film was operated," DeLuca says. "It's very close." Now, he > says, it's just a matter of the photographer's personal preference. > > Normally, the smaller you make a pixel, the poorer the quality, says Albert > Theuwissen <http://www.harvestimaging.com/index.php?id=1>, > a digital-imaging expert and founder of Harvest Imaging, based in Bree, > Belgium. "That is true for consumer as well as professional devices." > DeLuca > claims that in the case of Kodak's breakout sensor, new pigments actually > increase the color quality rendered by the sensor, while other mechanisms > enable the pixels to be just as sensitive as larger ones--and yet they're > processed faster than in previous designs. What's more, he claims that the > new sensor uses less power than its predecessors. "Every solution or step > that makes the sensor faster and less power hungry is a step forward," says > Theuwissen. > > Kodak already has a sensor on the market with a resolution of 39 million > pixels. But to further increase the resolution, the company had to not only > reduce the size of each pixel from 6.8 microns to 6 microns, but also > radically change the way that these charged coupled device (CCD) sensors > work, says DeLuca. > > "It's relatively straightforward to make the pixels smaller," he says. But > because these devices comprise much more than just light-detecting > elements, > DeLuca says, they can suffer drops in performance if everything inside them > is not shrunken along with the pixels. > > "Each pixel has multiple structures," he says. Some are designed to pass a > charge from one pixel to the next, to enable the image to be read off the > device. Other structures ensure that any excess charge produced by bright > lighting conditions doesn't spill out into neighboring pixels. > > Another challenge is to maintain the dynamic range of the sensor--that is, > its ability to detect light and dark simultaneously. In the sensor, this is > basically a signal-to-noise issue, says DeLuca. "When you make the pixel > smaller, there is less signal you are able to capture, because physically > there is less ability to store electrons in that pixel. If we don't do > anything else, what we end up with is a smaller signal with the same noise > profile." To counteract this, Kodak has had to improve the amplifier at the > output of the device, which reduces the noise. > > Also, by increasing the number of pixels, it becomes more challenging to > access the information once it has been detected. "Fifty million pixels is > a > lot of data > <http://www.technologyreview.com/Infotech/21088/page2/#>," > says DeLuca, ," says DeLuca, and a photographer needs to be able to read it > off the sensor in a reasonable amount of time. > > Until now, Kodak has used a process that involved dumping the information > from one row of pixels onto the next and shifting the information along the > row, reading it off at the edge, one pixel at a time. This is a relatively > slow process, normally carried out two rows at a time. So to cope with the > additional amount of data, the new sensor comes with four output channels > so > that four times the amount of data can be read at once. This enables the > sensor to increase the rate at which images can be captured from 0.9 to 1.0 > frames a second, even though more information is being captured. And yet > this also allows the clock cycle at which the data is read off to be > reduced > for each output, which further improves the signal-to-noise ratio. > > Power savings are achieved by the way that the sensor is reset before each > picture is taken. This is carried out just before a shot is taken to ensure > that there is no residual charge or electrical noise in the pixels that > could reduce the quality of the new image. In previous sensors, Kodak has > simply read out each of the pixels row by row, as if collecting the data > for > a picture, but then it dumped the information instead of storing it. "What > we've included now is a new structure in the pixel which allows all the > pixels in the array to be cleared out in a single clock pulse," says > DeLuca. > So instead of having to flush the entire sensor row by row, you flush the > entire array in one go, he says. > > This dramatically improves the "click to capture" time--the delay between > pressing the shutter down and the sensor capturing the image. "Instead of > being milliseconds, it takes microseconds," says DeLuca. And in addition to > saving time, it also reduces the power that is required to perform a reset. > > This technology doesn't come cheap. The sensor alone will cost at least > $3,500. But that doesn't appear to have put off one camera manufacturer. > Hasselblad > <http://www.hasselbladusa.com/promotions/50-promotion.aspx> > has announced plans to launch a new camera featuring the sensor in the > coming months. Nor is 50 megapixels going to remain on the cutting edge for > long. Just this week, a few days after Kodak's announcement, another > digital-imaging firm, DALSA <http://www.dalsa.com/>, based in Waterloo, > Canada, announced that it has developed a 60-megapixel sensor. > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more > information >