Archived posting to the Leica Users Group, 2008/05/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Barney,Posts like this are why the LUG is so special. Great bits of info out of the ether. On Wed, May 7, 2008 at 10:12 PM, Bernard Quinn <bjq1@mac.com> wrote: > > Sonny, > > Nice shot! He's a handsome lad, indeed. I'm sure he'll break some hearts > before all is said and done, if you don't mind my saying so. To comment on > some of the other posts in this thread..... > > Cellos were larger in Bach's day. Most of them have had the musical > equivalent of breast reduction surgery. My cello is three hundred years > old. > It proudly bears the scars from when it was cut down to a more manageable > size. Today the length of the strings is standardized, but the size of the > body isn't. When people think of a standard cello the mental picture they > usually have in is of the Stradaveri Model B. Even the master himself > experimented with various cello sizes until he hit on dimensions he really > liked. Guarneri models are a quarter of an inch bigger across than a Strad, > and Montagnana models are much wider across the bottom than Strads, giving > them marvelous bass tones. > > Up until the nineteenth century cellos were indeed played by holding them > between the calf's of your legs. Cello folk lore has it that the end pin > was > invented by a famous cellist who, to but it delicately, was too portly to > hold a cello in the traditional manner. What fascinates me is the fact that > when my cello was made cellos were used in marching bands. I have trouble > imagining doing this. If you look at the back of a cello if this vintage > you > will usually see a the remains of a small hole located on the center seam. > A > strap was attached to a wooden peg, and then it was then put through the > hole in the back of the cello. This was how they attached a strap so that > you could march around with it. Almost all antique string instruments have > been modified in one way or another. Cellos, Violas, and Violins have also > had the angle the fingerboard makes with the body increased and the curve > of > the bridge increased. This was done to increase the volume of the > instruments as musicians moved from making their livings playing in small > chambers to playing the concert halls. > > Cellists owe Bach a major debt of gratitude. Before his day the upper and > refined classes played Viols of various sizes. To this day Double Basses > still have a family resembelance to their anscestors the Viols. They have > concave shoulders, unlike the shoulders of Violins, Violas, and Cellos > which > are rounded. Before Bach members of the Violin family were held in low > repute and tended to be associated with unsavory things like the country > dancing master, sex, and alcohol! :-) In those days we ranked right up > there > with the court jester! It was Bach's Suites for Solo cello which really > helped the Cello gain respectability. > > People still play on gut strings. I often use them. This is a subject of > great controversy among cellists. Many people think that their sound is > superior to metal core strings. I certainly do. In olden times cello > strings > were just plain raw uncovered gut gut. The C string, the lowest in pitch on > the cello, could run a quarter of an inch in diameter. I can't imagine what > that sounded like, but it must have been pretty tubby. In Baroque days they > started to wind the gut strings with round silver wire to cover them. Today > they are would with flat wire. An unwrapped gut A string is a holy horror > to > play on. Other than that gut strings are lots of fun, although they don't > stay in tune at all well. > > This is probably more than anyone wants to know about the subject. > > Barney > > > On May 7, 2008, at 4:32 PM, Sonny Carter wrote: > > Last night, Eric played his Senior solo at the Fall Concert of the > > Natchitoches Central High School Orchestra. > > > > He played the 1st movement of Eccles Sonata in g minor, and it was > > moving > > to hear and see how he has developed as a bassist. His Mom wept, it was > > so > > beautiful. Here's a shot of him just as he finished, and just before > > the > > standing ovation. > > > > http://www.sonc.com/sonata.htm > > > > Now, he'll probably kill me for this, and many of you remember these > > shots, > > so I thought it appropriate to share them at this time. > > > > http://www.sonc.com/same_guy.htm > > > > -- > > Regards, > > > > Sonny > > http://www.sonc.com > > Natchitoches, Louisiana > > USA > > > > _______________________________________________ > > Leica Users Group. > > See http://leica-users.org/mailman/listinfo/lug for more information > > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > -- Don don.dory@gmail.com